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Description

fIREHOSE's complete 1987 album (If'n) In 1985, after D Boon's tragic death at age 27 signalled the end of the Minutemen, bassist Mike Watt and drummer George Hurley threw in their lot with then-22-year-old former Ohio State University student, guitar player, and Minutemen fanatic Ed Crawford to form fIREHOSE. Taking their group name from a line in Bob Dylan's "Subterranean Homesick Blues," fIREHOSE continued in the Minutemen tradition of breathtaking musicianship combined with caustic lyrical fusillades inspired by the writing of the Beat Generation and the erect-middle-finger indignation of the Blank Generation. However, with Crawford's decidedly folkie bent insinuating itself into the mix, fIREHOSE's songs began to expand into more traditional verse-chorus-verse songwriting symmetry. And although fIREHOSE never equaled the Minutemen's output in terms of sheer audacity and emotional depth, Crawford, Watt, and Hurley recorded rock that was muscular, dense, and daring, along with being tremendously heartfelt. They never patronized audiences or comported themselves as "rock stars"; they were instead the quintessential post-punk "peoples' band." Although they achieved wider notoriety than did the Minutemen (eventually recording for a major label), fIREHOSE called it quits in early 1994 after a desultory, dispirited final LP (Mr. Machinery Operator). Still, nearly all of their recorded work stands as some of the best late-'80s/early-'90s indie rock. Whereas fIREHOSE's debut, 1986's Ragin', Full On, was issued quickly to get the new outfit off the ground (two of the three members were still reeling from the death of their previous band's frontman, the Minutemen's D. Boon), their sophomore effort, 1987's If'n, included more cohesive and focused songwriting. Touring together had obviously made Watt-Hurley-Crawford tighter as a unit, and several of their best all-time compositions reside here. Although the debut incorporated other musical forms besides punk and hard rock (funk, jazz, etc.), If'n was the first fIREHOSE release to feature folk-style originals -- such as Crawford's "In Memory of Elizabeth Cotton." Standouts include the album opening highway anthem "Sometimes," the groovy '50s feel of "Honey, Please," the laid-back "Backroads," and the irate rockers "Anger" and "For the Singer of R.E.M." Also featured are several Mike Watt lead vocal spots -- the perennial concert favorite "Making the Freeway" (included on the 1993 mini-album Live Totem Pole EP), the humorous "Me & You Remembering," "Operation Solitaire," and the closing epic "Thunder Child."