dog day afternoon

dog day afternoon

What I Learned From Watching: Dog Day Afternoon (1975) [Interactive]

13h ago
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What can we learn about filmmaking from Sidney Lumet’s Dog Day Afternoon? How do you create a compelling character? How can you get your dialogue to sound natural? All these questions and more are answered in Episode #5 of What I Learned From Watching. Support this channel on Patreon: https://www.patreon.com/cinematyler Twitter: http://twitter.com/cinematyler Facebook: http://facebook.com/cinematyler Tumblr: http://cinematyler.tumblr.com This video essay was written, edited, and narrated by Tyler Knudsen. The interactivity of this video is a little bit different than my last one. This video contains one supplemental video and two side videos. The side videos are stand-alone videos that are related to this video. They expand upon the information and analysis of Dog Day Afternoon and will be published themselves one week after this video is published. I have been making short videos for IndieWire’s Press Play section. If you would like to see them, they are on my website: http://cinematyler.com/category/indiewire Clips: Dog Day Afternoon (1975 Dir. Sidney Lumet) The Making of Dog Day Afternoon Dog Day Afternoon: Casting the Controversy Dog Day Afternoon: Re-Creating the Facts Dog Day Afternoon: After the Filming Lumet: Film Maker Music: “Amoreena” by Elton John “RSPN” by Blank & Kytt (https://blankkytt.bandcamp.com/) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ “Backed Vibes Clean” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/