time lapse
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Terra Sacra Time Lapses
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Time lapse Southwharf 16:5:13
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Carbon River Valley Timelapse - 5/19/2013
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Tags
- 16-bit
- a journey
- a lifetime
- adobe bridge
- ancient monuments
- apple
- art wolfe
- bbc
- camera raw
- canon 5d
- castle
- close to my heart
- depth-of-field
- final cut
- final cut pro
- history
- i hope
- ian herring
- movies
- music
- national geographic
- national geographic channel
- never-ending
- original score
- photography
- public television
- quicktime pro
- short films
- television series
- the apple
- the earth
- the edge
- the globe
- the public
- the six
- time lapse
- to the edge
- world time
Description
An around-the-world time lapse journey celebrating our Sacred Earth. Six years in the making... seven continents... 24 countries. Photographed & Edited by Sean F. White http://www.seanwhite.net Original score by Roy Milner http://www.roymilner.com Full details and locations shot-by-shot: http://www.TERRA-SACRA.com Versión en español http://www.beyondgravity.whsites.net/ioe/wordpress/?page_id=441 Twitter: http://www.twitter.com/seanfwhite Facebook: http://www.facebook.com/pages/Sean-F-White-Photography-Films/291134517608278 -- My life as a filmmaker has blessed me with the privilege of seeing some of the most surreal and timeless places on the planet. These images of our Sacred Earth set to music are my way of sharing some of the magic I've experienced along the way... "Terra Sacra" ~ Latin for Sacred Earth. Terra Sacra Time Lapses is a short film featuring remote landscapes and ancient monuments from around the globe. These images were photographed during my assignments and personal travels between 2006-2012. I've combined my favourite shots from these trips into non-narrative film that touches on a theme close to my heart: Sacred Earth. The visuals are driven by an original score by composer Roy Milner (roymilner.com). The six-minute film is a journey through three distinct Acts: (I) Primordial Earth (II) Past meets Present and (III) Eternal Universe. This film is a personal project to share the beauty and awe I witnessed at these locations. I hope viewers will be moved by the intangible power of our Terra Sacra. THANKS TO: Endless thanks to Art Wolfe for hiring me to as the cinematographer for the public television series Art Wolfe's Travels to the Edge and taking me to the ends of the Earth where most of the shots from Terra Sacra were made. Art, you are an inspiration and the most driven photographer I have ever known! I learned so much working on this show with our amazing crew and have stories to tell for a lifetime! http://www.artwolfe.com http://www.travelstotheedge.com Never-ending thanks to friends and colleagues Ian Herring and Maija Leivo of Parallax Film Productions for permission to us shots I took for the television series Ancient Megastructures (National Geographic Channel / History Television) and Battle Castle (Discovery/History Television/ BBC). These assignments provided unprecedented access to some of the world's most iconic ancient landmarks http://www.parallaxfilm.com Infinite thanks to my amazing wife Deddeda for her love and constant encouragement to pursue this project. TECHNICAL: Most of the time lapses were shot with a Canon 5D at the maximum resolution using a TC-80N3 intervalometer. A few shots were taken with a Canon 7D and Canon 5D mk II. All images are single manual exposures, no HDR composites. Original full resolution images were colour corrected and processed in 16-bit in Adobe Bridge using Camera Raw and exported as JPEG sequences at maximum quality. The rendered JPEG sets were then opened in Quicktime Pro as image sequences and exported at their native full resolution (up to 5K) as Quicktime movies at 23.98 fps with the Apple ProRes 422 (HQ) codec. The ProRes 422 (HQ) files were then edited in Final Cut Pro 7.0.3 on a ProRes 422 (HQ) timeline at 23.98. The master file is ProRes 422 (HQ) 1920 x 1080. Selected time lapse sequences were also processed using Adobe Bridge and LRTimelapse to smoothen aperture flicker apparent in some shots with large depth-of-field. LICENSING: If you are interested in licensing any of the shots from the film, please contact me so I can direct you to the appropriate agency.<br /...
