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Tags
- a family
- a star
- afro-cuban
- american masters
- andy garcia
- carlos santana
- charles mingus
- charlie parker
- cuba
- cuban music
- dance
- dizzy gillespie
- double life
- evolution
- fidel castro
- havana
- hollywood
- hollywood walk of fame
- jam sessions
- jazz
- jimmy bosch
- john santos
- las vegas
- latin jazz
- louis armstrong
- miami
- music
- national endowment for the arts
- new york
- orchestras
- pbs television
- philharmonic orchestra
- pop culture
- rhythm and blues
- rock n roll
- santana
- smithsonian institute
- the arts
- the smithsonian
- the united states
- the words
- tito puente
- united states
- walk of fame
Description
A maestro of legendary status on the world stage, Cachao is considered one of the greatest Afro-Cuban musicians of all time. The film takes viewers from his start as a child prodigy born in Cuba in 1918 into a family of classical musicians through his formal conservatory training and seat in the Havana Philharmonic Orchestra for 30 years, performing under the direction of all of the legendary international conductors of the time — beginning at age 10. And although a classical musician by day, the young Cachao always had a double life at night, playing the Havana clubs and dance halls with his brother Orestes. Together they revolutionized the heart of Cuban music — first in the late 1930s, literally inventing the mambo through the infusion of complex, multi-layered African rhythms into the earlier, stylized and class-coded Hispano-Cuban dance genre, the danzón. Later in the 1950s, at highly electric descargas cubanas -- Cuban jam sessions -- their spontaneous improvisations and innovations laid the groundwork for contemporary Latin jazz and salsa, rock 'n roll and rhythm and blues. Around this time, Cachao wrote "Chanchullo" which contained the signature hook appropriated in Tito Puente's classic hit "Oye Como Va," later made popular in Carlos Santana's hit crossover cover. Cachao became an exile shortly after Fidel Castro came into power in 1962. He relocated to New York and played with leading Latin bands. As the 1970s wore on, his life hit a sour note in Las Vegas, where he headlined casinos and battled his growing gambling habit. Eventually, he settled in Miami as a forgotten artist, playing for tips at local venues. He slowly slipped into obscurity in the 1980s until Andy Garcia helped revive an appreciation of Cachao and his music and reinvigorated his career in the 1990s. Their musical collaboration culminated in a series of Grammy-winning albums, cementing Cachao's well-deserved recognition in the industry as a world-class musician and composer. Mr. Garcia's insightful narrative and well-edited performance clips thus enable the viewer to better understand the origins, evolution and sophistication of Afro-Cuban music and dance genres well beyond the often prosaic pop culture notions held by many North Americans as a result of the Miami salsa era and U.S. television dramas of the 1980s. As Mr. Garcia says, "You can put [Cachao] right next to Louis Armstrong, Dizzy Gillespie, Charles Mingus, and Charlie Parker. That's the lexicon of the names that he's up there with." In his final years, Cachao received numerous honors including a Hispanic Heritage Award, a National Endowment for the Arts Award, a star on Hollywood Walk of Fame and an induction into the Smithsonian Institute. In the words of John Santos, "Underlying his consummate professional demeanor, he [was] a sage and poker-faced philosopher...warmth, humor and humility [were] his trademarks." For those without access to PBS television stations, or who reside outside the United States, American Masters Cachao: Uno Más is currently screening in an online stream at http://www.pbs.org/wnet/americanmasters/episodes/cachao-uno-mas/watch-the-full-film/1640/ Fuente: http://www.culturekiosque.com/jazz/portrait/cachaounomas_ckiosque541.html VIDEO: Combinacion de estrellas. Israel "Cachao" Lopez, Andy Garcia, Jimmy Bosch, Nelson Gonzales, Orestes Vilato entre otros.
