rizal park
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Bus Siege Revisit : August 21, 2010 Time Map
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Katy! Presscon Aba Ba Boogie)
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Padyak Dagat Rizal Park
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hermosisima dancer
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ECO BRICK DONATION CALL OUT (UPDATED)
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KOBE BRYANT "walang iwanan" Lenovo commercial
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ECO BRICK DONATION CALL OUT
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FIX UP 2K13 @ RIZAL PARK DANCE COMPETION
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Rizal Park, Manila, water show 2feb12
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RIZAL PARK PAVILION: CALL OUT FOR ACTION
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Rizal park
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Manila Philippines - Biggest Baddest Bucket list
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Fountain Show, Rizal Park, Manila
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Here's a funny clip preview of the Philippines discovery by Magellan on March 16, 1521.
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Az video blog: Mabuhay Restop Cafe a travel cafe museum in Rizal Park, Luneta
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(Harlem Shake) AJ Rafael, Joseph Vincent, Jeremy Passion, & Bayani Tour
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The Real Picture of Feb. 28, 2012 - Iglesia Ni Cristo NATIONWIDE Grand Evangelical Missions!
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Illegal Vendors sa Rizal Park
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For The First Time - Joshua Dionisio
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Julie Anne sings at Yakapalooza
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ONE BILLION RISING DAVAO PHILIPPINES 2013
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Thousands join Luneta 'Yakapalooza'
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Julie Anne San Jose at Yakapalooza
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FMA in Rizal Park
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RIZAL PARK
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Live While We're Young (PUP Parody)
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Description
Pablo Biglang-awa Jr. Bus Siege Revisit 7 – 30 June 2012 Video Room In his latest solo exhibition, film-maker and artist Pablo Biglang-awa Jr. produces a video time map installation to revisit the August 23, 2010 hostage-taking incident in front of the Quirino Grandstand in Rizal Park, Manila. The chaotic standoff, which left both hostage-taker and several captives dead, was broadcast widely in real time and later on through the internet. Biglang-awa collates data, images and videos from online media over the past two years and presents them as single channel videos, surfing for traces of the tragedy. The process reveals how this unfortunate event is also a phenomenon of mass media and crisis: where the hostage-taker’s frustration with the current system of patronage intersects with the realization that media and modern technology—with their potential to magnify specific events—can be used to disseminate messages and ensure that its recipients are heard. Going beyond gathering digital documentation, Biglang-awa’s work reflects on how these messages were disseminated to the wider public and how the event was altered by the very intervention of coverage. In the process, he simultaneously exposes how contemporary media and technology have shaped our reception, understanding and even memorialization of this tragedy.
