the tangent

The Tangent  AfterRicochet  Tangerine Dream Homage
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Line 22 7b256 Derivative Tangent Lines Real Variables Slope NODES WOW SETI
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Ex: Simplify Tan(pi/2  u) Using Sine and Cosine Difference Identity
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Cosmograf  Capacitor  Album Promo 2014
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14 Days  The Great Pool Experiment Reno, Nevada  Day 6
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14 Days  The Great Pool Experiment Reno, Nevada  Day 4
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The tangent Le massacre du primetemps
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Soulfly  Spiral (lyrics)
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Equations of Tangents to Circles
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Imum Coeli: Pendulum Field
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IMUM Coeli: PendulumField
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Power Transformer Testing  Measuring capacitance and power factor or dissipation factor
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Reflections
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Mother McCree's Uptown Jug Champions  Live at the Top of the Tangent (OutofPrint)
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PROG ON YOU CRAZY DIAMOND Podcast  Best Prog Epics of 2013 Pt. 2  Prog Sphere
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The Tangent  Music Inspired by CAMEL's "The Snow Goose"
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Astral Knot (a fashion exploration)
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Graphing the Tangent and Cotangent First Examples
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Sunday Jam by Andy Tillison
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SolidWorks 2014 Tutorial: Enhanced Tangent Mate Functionality
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Mature Young Adults  Trailer
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Mature Young Adults  Indiegogo Promo
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THE TANGENT  Le Sacre Du Travail (2013)  1st movement Coming Up On The Hour (Overture)
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Ambition Babies Part 2: Monday as a Girl
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Description
Andy Tillison (Keyboards) and Luke Machin (Guitar) of THE TANGENT rehearse their Berlin School Electronica section of the Tangent's set for the forthcoming European Mini Tour in May/June 2014. The tour features the two full progressive rock bands The Tangent and Karmakanic including members of Maschine, The Flower Kings and in London the band will be joined by Theo Travis, longtime associate of Tangent and currently the wind player with the Steven Wilson Band. All tour dates can be found at the Tangent website www.thetangent.org. This piece was recorded by Andy in Yorkshire, England in one take and similarly by Luke Machin in Brighton, England using an internet link. The music is all live with no overdubs from either musician. There are two parallel 4 note sequencers running for the duration of the song in the same way as Tangerine Dream would have used analogue step sequencers. This piece features the (currently) new Roland FA06 workstation which is responsible for all the keyboard sounds you hear (minus the ebow guitar patch and the Mellotrons)  regardless of which keyboard appears to be being played. The laptop computer in the video is creating these other sounds and the large desktop computer is only switched on because it happened to be switched on. It's not doing anything. The arpeggios are generated by the FA06