alabama song

alabama song

Angel Blue sings 'Alabama Song' from Rise and Fall of the City of Mahagonny (The Royal Opera)

4mo ago
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Angel Blue sings Bertolt Brecht and Kurt Weill's 'Alabama Song' from Rise and Fall of the City of Mahagonny, accompanied by pianist James Baillieu. The performance was part of an Insights event in which novelist and journalist Will Self discussed the themes of the opera and challenged the purpose of the art form. The event was live-streamed online. http://www.roh.org.uk/news/watch-will-self-event-live-streamed-for-free-on-4-march-2015 The 'Alabama Song' has inspired covers by artists including David Bowie and The Doors. Find out more: http://www.roh.org.uk/news/oh-show-us-the-way-to-the-next-whisky-bar John Fulljames's new production of Rise and Fall of the City of Mahagonny opens on 10 March 2015. http://www.roh.org.uk/productions/rise-and-fall-of-the-city-of-mahagonny-by-john-fulljames The three-year genesis of Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny) spanned the entire partnership between Bertolt Brecht and Kurt Weill – one of the most fruitful and shortest musical collaborations of the 20th century. The great success of their first work together, the Mahagonny Songspiel (1927), encouraged the two to adapt it into a full-length opera. But progress stalled as the two men discovered their theories were developing in deeply divergent directions: Brecht eager to pursue the disjointed effect of his theories of epic theatre, Weill looking for ways to unify very different styles of music. Concerns from first the publishers and then producers over the work's 'depravity' further increased the disruption. The riot at the opera's premiere on 9 March 1930 was the beginning of the end of Weill's career in Germany. The troubled development of Aufstieg und Fall der Stadt Mahagonny only adds to the work's extraordinary power as one of the most unsettling and provocative of all operas. This is Weill at his most brilliant and inventive, incorporating popular song in the 'Alabama Song' and neoclassicism in the terrifying 'Hurricane fugue'. The Royal Opera's Associate Director of Opera John Fulljames directs The Royal Opera’s first production of the work in collaboration with designer Es Devlin (Don Giovanni, Les Troyens). They focus on Brecht and Weill's stinging critique of consumerism while finding new relevance in our insatiable depletion of the earth's resources.